Bristol + Bath Creative R+D's Inclusion Producer Tony Bhajam introduces the seven awardees of the Test funding pot. Sharing their questions to respond to and the questions from our four inclusion partners.
James is co-founder of Stormjar, a new startup exploring the future of the haunted house. James is an artist and innovation specialist. In this blog James considers both sides of the NFT debate, for Stormjar's new prototype, the Nightmare Market.
Read the updates from the Here + There Pathfinder, what has happened and what's planned for the year ahead. Bristol + Bath Creative R+D also announce an artist residency position to join the pathfinder for the remaining delivery.
This research project, funded by Bristol + Bath Creative R+D, investigates the effect of Channel 4’s move to Bristol in 2018-19 as it transformed from a London-based to a regionally based public service broadcaster, with its new headquarters in Leeds and two ‘creative hubs’ in Bristol and Glasgow. My research will examine how this relocation has changed the ways in which Channel 4 operates and the impact it has had on Bristol’s screen ecology.
Richard is the co-founder of Rocketmakers, which designs, develops and delivers innovative software, apps and websites for startups, scaleups and large organisations. Striving to work with organisations that are seeking to have a positive impact, Richard has helped hundreds of startups and scaleups build amazing products.
In this article Richard looks at Rocketmaker's beginnings, understanding the work they do in amplified publishing and what made them motivated to be an industry partners for the pathfinder.
Karolina Latka is an Amplified Publishing fellow and Developer at Complete Control. Karolina develops games, websites and framework components helping the creative vision come true. In this article, Karolina investigates the benefits and losses of personalisation and customisation for publishing and how this relationship has bloomed with technology.
Researching further into emerging technologies Karolina looks at these new developments in relation to children’s consumption of publishing.
